Wednesday, July 27, 2011

Movie Review: Singham

Movie Review: SinghamIn an action scene from SINGHAM, Bajirao Singham (Ajay Devgn) jumps and hits a baddie on his forehead with his palm. The guy spins, falls on the ground face first, bounces up a few feet in the air like a ball, and again falls on his back. With scenes like these, SINGHAM is so bad that it's almost good.

The Tamil SINGHAM starring Suriya was a huge hit down South. But the adaptation for the Hindi audience, despite have its share of masala, isn't up to the mark.

Bajirao Singham plays an honest cop from a small village named Shivgad on the Maharashtra-Goa border. Using his own principles, he makes sure that the village remains peaceful and free of any unscrupulous activities. He resolves petite quarrels and doesn't even mind lending his own money to a villager in need.

Things take a horrid turn when he meets a wily criminal and politician Jaykant Shikre (Prakash Raj), who is required to be present in Shivgad for a case. Through his political connections, Jaykant gets Singham transferred to his own backyard, Goa and tries to make his life a living hell. Can he silence the lion Singham and his roar?

Director Rohit Shetty has come up with an insipid film, which fails to deliver on all fronts. It starts as an action drama, takes a romantic interlude and again returns to maar-dhad. Not to mention Rohit's trademark GOLMAAL type humour in many occasions. At one point, when Singham and Jaykant verbally try to outdo each other in terms of the people they can arrange to fight for them, it seems like a fight between two local gangs.

There's hardly any movement in the first half in terms of the story, while the second half has countless unintentionally funny scenes. To be fair, Singham and Jaykant do have some ceete-maar dialogues. However, there are several puerile dialogues mouthed by the various characters on the top of their voices. The action sequences are good, but they get very repetitive and exhausting. You only have blown up cars (Rohit Shetty's favourite) and Singham beating the hell out of the gundas. It's marred by an atrociously slow pace, which is a complete no-no for an action film.

Dudley's cinematography is fine. Ajay and Atul Gogavale's music is totally uninspiring, with Saathiya being the only decent number. Steven H. Bernard's editing is tacky, with many continuity lapses.

Ajay Devgn, who is seen in a complete action film after a long time, looks really fit and acts wonderfully. But there's nothing much he can do beyond that to compensate for the weak script. Prakash Raj (a big name in South) looks promising initially, but his character loses steam and becomes like a joker as the film progresses. Perhaps his character is diluted to enhance Ajay Devgn's role. Kajal Aggarwal, who plays Singham's love interest Kavya, looks pretty. However, she does overact. Sonali Kulkarni is all right. The rest of the characters are strictly okay.

With a lot of noise (read loud) and no substance, SINGHAM brings no khushi and only gham.
Read Full Entry

Wednesday, July 6, 2011

Movie review: ‘Horrible Bosses'

Movie review: ‘Horrible Bosses'Summer in the multiplexes used to be the exclusive domain of kid- and family-friendly G, PG and PG-13 rated movies. That is, until “Wedding Crashers” scored such a surprise hit in the heat of 2005 and pioneered the way for a rash of R-rated counterprogramming in summers since.

Already this summer, moviegoers with a taste for adult-oriented raunchiness or without youngsters to placate have found their guilty R-pleasures in “The Hangover Part II,” “Bridesmaids” and “Bad Teacher.” Now the ante is upped with the zestfully rude and offbeat “Horrible Bosses,” a nutty, naughty “Nine to Five” for working guys who fantasize about taking deadly revenge on abusive employers.

Deftly directed by Seth Gordon (best known for the hilarious cult video-game documentary “The King of Kong: A Fistful of Quarters”), the movie brings together a top-shelf cast with a wildly zany but tightly written script to create a darkly queasy comedy that'll likely make you cringe as often as it makes you laugh.
The far-fetched premise is this: Three drinking buddies — Nick, Kurt and Dale (Jason Bateman, Jason Sudeikis and Charlie Day) — like their jobs but hate their horrible bosses.

Kurt's boss, Dave Harkin (Kevin Spacey), is a cruel corporate shark with a murderous streak; Kurt's boss, Bobby Pellitt (Colin Farrell), is a pretentious tool determined to run the family business into the ground, and Dale's boss, Dr. Julia Harris, D.D.S. (Jennifer Aniston), is a sexual predator keen on luring naive Dale into the sack. Through a series of unlikely comic turns, the working-stiff pals become so harassed and desperate that they enlist the aid of a weirdly tattooed barroom hustler named Mother(bleep!) Jones (Jamie Foxx) and hatch a crazy, “Strangers on a Train” scheme to murder their three horrible bosses.

With chaotic nods to “Ruthless People” and “Throw Momma From the Train,” the convoluted plot spins wildly out of control and leaves our three anti-heroes (who increasingly come to resemble the Three Stooges) frantically struggling to extricate themselves from the bloody mess that ensues.

Despite the story's macabre context (murder for laughs), the male leads score with their mile-a-minute buddy patter and amusing frat-boy chemistry. The writing here is quick, cutting and witty. Day (“It's Always Sunny in Philadelphia”) and Sudeikis (“Saturday Night Live”) carry most of the doofus comic freight, while the likable Bateman (“Arrested Development”) acts as befuddled straight man.

But the real comic firepower comes from the high-profile supporting players: a dark-wigged Aniston playing deviously and seductively against type; a conniving Spacey echoing the cold menace of his “Glengarry Glen Ross” gamesmanship, and Foxx bringing hilarious street-hustler jive to the dicey shenanigans. However, the showstopper performance comes from Farrell, who with pot belly and comb-over seems to be channeling “King of Kong's” real-life Donkey Kong maestro Billy Mitchell in his most vainglorious antics.

As “Horrible Bosses” can attest, while there's nothing funny about workplace harassment, a richly satisfying comic catharsis can arise from fantasizing about our most dire and dastardly revenge on bad bossy bosses.
Read Full Entry